Paintings

THE GOLDEN CALF

THE GOLDEN CALF

BODY LANGUAGE 1

BODY LANGUAGE 1

BODY LANGUAGE 2

BODY LANGUAGE 2

BODY LANGUAGE 3

BODY LANGUAGE 3

Drawings

THE END OF GRAND NARRATIVES-N

THE END OF GRAND NARRATIVES-N

FROM THE HISTORY OF WESTERN NARRATIVES:THE MAKING OF THE WESTERN SOUL

FROM THE HISTORY OF WESTERN NARRATIVES:THE MAKING OF THE WESTERN SOUL

THE END OF GRAND NARRATIVES-D

THE END OF GRAND NARRATIVES-D

THE ARTIST, THE PHILOSOPHER; THE EMPEROR, THE SAINT, AND THE SOCRATIC GEMS

SHADOWS OF TRUTH: THE NEW CAVE DILEMMA

SHADOWS OF TRUTH: THE NEW CAVE DILEMMA

PERCEPTION, PROJECTION, AND THE PROTRUDING PARADIGM

THE WEIGHT OF HISTORICAL TRUTH

THE WEIGHT OF HISTORICAL TRUTH

INVERSION OF ENLIGHTENMENT: A CONTEMPORARY REIMAGINING OF PLATO'S CAVE

INVERSION OF ENLIGHTENMENT: A CONTEMPORARY REIMAGINING OF PLATO'S CAVE

INVERSION OF ENLIGHTENMENT: A CONTEMPORARY REIMAGINING OF PLATO'S CAVE

INVERSION OF ENLIGHTENMENT: A CONTEMPORARY REIMAGINING OF PLATO'S CAVE

THE STORYTELLER T

THE STORYTELLER P

THE STORYTELLER T

LOST IN THE SHADOWS OF THE PAST

THE WISE DACIAN

SOCRATES AND THE HAMLOCK CUP

SKETCH AFTER TITIAN

Silverpoint drawings

THE STORYTELLER P

THE STORYTELLER P

THE STORYTELLER T

THE STORYTELLER T

SILVERPOINT STUDY

SILVERPOINT STUDY

Pastel on Valour paper

JEFF

PIRA

PAUL

Printmaking

Man’s anxiety

The Storyteller T.

The Storyteller S.

The Storyteller P.

The Storyteller N.

The StorytellerT.

The ancient storyteller

POSTMODERN PANTHEON: A CAPITALIST ALLEGORY

POSTMODERN PANTHEON: A CAPITALIST ALLEGORY

ANCIENT TO MODERN: AN UPSIDE-DOWN TRANSITION

INVERSION OF ENLIGHTENMENT: A CONTEMPORARY REIMAGINING OF PLATO'S CAVE